fugitives on track
dream
the white train of Fortune
to jump up and travel to lands
promises
to drunken city
where they say clothes
Happiness
and while we wait
discover
footsteps crumbling
soles worn
nests lopsided
loves thorny
and sunflowers blind
mottled autumn
and for some reason
and wherefores
who knows when the train hurtling
glittering lights
avert our eyes
with his hands in his pockets
contemplating
illegal
fields late
of our destinies
FuoriLuogo LOVE
not believe me! -
he said and she closed her eyes
rustling of trees
light high clouds
wind and sun
are not trees - he insisted - but
leaves about to fall ...
and the reflection of her crape
doubted
blue-green lake
clenched fist in love
satisfied
Indian summer and autumn shone
oblique
still invisible
must have chaos in oneself to give birth
a dancing star
Friedrich Nietzsche
According to statistics of 2010, a wedding in Italy every seven involving a foreign partner. How many are de facto unions is impossible to quantify.
Is there anything that makes the most emotionally rich mixed couple?
Where lies the magic of eros multi-ethnic? What problems
puts a different way of living and expressing sexuality?
expatriation and tear. Alienation. Jumping into a culture alien breaks all the usual references, identity crumbles in the maze of new patterns of behavior. Suddenly thrown out of normal range widely accepted at home, the migrant clashes with unusual customs and rituals, he stumbles difficult parts of words to articulate. To rebuild its new identity, to find the balance in perpetual oscillation between two worlds, between nostalgia and hope, is in desperate need of relationships, warmth and affection. And just as in his way of communicating through language adoptive peeps reassuring structure of language, his way of love shines through body language, in which cultural memory is encoded differently.
We want to tell this latency sensual, the erotic poetry of elsewhere in a report, the delicate point of the border where East and West mingle, merge North and South, giving without taking, respect for individuality and uniqueness Ars Amandi of each.
Instructions: the texts must be sent in digital format by redazione@compagniadellelettere.it 31.1 / 2011 will be up to 10 pages, each author must include a brief bio and a contact email and phone. The text is meant for free and sold just for this publication, the author's rights remain.
Participation migrant writers or Italian.
